Steve N. Lewis Jr. has enjoyed a diverse musical career as both a conductor and French hornist. Steve is the Music Director of the Medical Arts Symphony of Kansas City and the Midwest Chamber Ensemble. Under his direction the Midwest Chamber Ensemble won Third Place in the American Prize. Lewis has collaborated with such guest artists as pianists Charl Louw, Mary Rose Norell, and Keith Kirchoff, French hornist Brett Hodge, soprano Sarah Tannehill Anderson and countertenor Jay Carter. He has conducted the Kansas City Metro Opera, the Missouri Symphony, OvreArts (PA), the Philharmonia of Greater Kansas City, the Wilson Symphony (NC), the University of Central Missouri Orchestra, the Emporia State University Chamber Orchestra, and the University of Missouri-Kansas City Conservatory Orchestra and Chamber Orchestra
As a French hornist Steve has performed at the Stamford International Music Festival (UK) and the Brevard Music Center (NC), as well as concerts with the Mahlerfest Orchestra (CO) and the Missouri Symphony.
Steve teaches musicianship and music business as a faculty member of the Institute of Audio Engineering Arts. Previously he taught at the Salvation Army's A-OK Conservatory of Music where he conducted Brass Band, Men's Chorus, and taught music theory. From 2012-2013 Lewis served as conducting fellow of the Kansas City Youth Symphony where he led many rehearsals and coached the brass section. He also has a growing private studio of horn students.
Steve attended high school at the North Carolina School of the Arts where he studied French horn with David Jolley. Steve holds degrees from East Carolina University (BM, Theory/Composition) where he studied French horn with Mary Burroughs and the University of Missouri- Kansas City Conservatory of Music and Dance (MM, Orchestral Conducting) where he studied conducting with Robert Olson and French horn with Ellen Campbell and Martin Hackleman. He was twice awarded the EAMA/Florence Gould Foundation Michael Iovenko Fellowship to study conducting in Paris as part of the European American Musical Alliance at the historic Schola Cantorum. While there Lewis received special mention in both solfege and counterpoint. Steve has attended the South Carolina Conductors Institute and the International Conductors Institute workshops in Round Rock Texas and New York. He has received career and continuing education grants from the ELCA Central States Synod, Anna Sosenko Trust, and the Koch Cultural Trust. His many arrangements for French horn and other ensembles are published by Cimarron Music.